Marna ro
Fall 2016-2018: As a supporting designer under the creative direction of Eric Sartori (Alberta Ferretti, Azzedine Alaïa), I contributed to the conception and development of Marna Ro — a contemporary unisex brand rooted in an interpretation of streetwear infused with global craftsmanship. The line drew inspiration from world travel, blending Moroccan tile motifs, Turkish embroideries, and ornate jacquard textiles sourced from artisan mills across Europe and the Middle East. My role spanned sketching, fabric development, and CMF refinement — helping translate Sartori’s couture sensibility into a street-lux aesthetic handmade in Los Angeles. The result was a collection where every piece carried the tactile richness of heritage design reframed for contemporary culture.
our work
our work
our work
ADS AND LOGBOOKS
our work
our work
our work
our work
our work
Challenges
Challenges
Challenges
Working closely with global fabric mills meant navigating unpredictable lead times and ensuring each jacquard or embroidery retained its authenticity through local LA production. The biggest challenge was harmonizing cultural depth with modern wearability: ensuring motifs and trims honored their origins while feeling progressive and genderless. Every prototype became a conversation between continents — where material, meaning, and modern identity had to align in one cohesive voice.
NEXT PROJECT
NEXT PROJECT
NEXT PROJECT
Marna ro
Fall 2016-2018: As a supporting designer under the creative direction of Eric Sartori (Alberta Ferretti, Azzedine Alaïa), I contributed to the conception and development of Marna Ro — a contemporary unisex brand rooted in an interpretation of streetwear infused with global craftsmanship. The line drew inspiration from world travel, blending Moroccan tile motifs, Turkish embroideries, and ornate jacquard textiles sourced from artisan mills across Europe and the Middle East. My role spanned sketching, fabric development, and CMF refinement — helping translate Sartori’s couture sensibility into a street-lux aesthetic handmade in Los Angeles. The result was a collection where every piece carried the tactile richness of heritage design reframed for contemporary culture.
our work
our work
our work
ADS AND LOGBOOKS
our work
our work
our work
our work
our work
Challenges
Challenges
Challenges
Working closely with global fabric mills meant navigating unpredictable lead times and ensuring each jacquard or embroidery retained its authenticity through local LA production. The biggest challenge was harmonizing cultural depth with modern wearability: ensuring motifs and trims honored their origins while feeling progressive and genderless. Every prototype became a conversation between continents — where material, meaning, and modern identity had to align in one cohesive voice.
NEXT PROJECT
NEXT PROJECT
NEXT PROJECT
Marna ro
Fall 2016-2018: As a supporting designer under the creative direction of Eric Sartori (Alberta Ferretti, Azzedine Alaïa), I contributed to the conception and development of Marna Ro — a contemporary unisex brand rooted in an interpretation of streetwear infused with global craftsmanship. The line drew inspiration from world travel, blending Moroccan tile motifs, Turkish embroideries, and ornate jacquard textiles sourced from artisan mills across Europe and the Middle East. My role spanned sketching, fabric development, and CMF refinement — helping translate Sartori’s couture sensibility into a street-lux aesthetic handmade in Los Angeles. The result was a collection where every piece carried the tactile richness of heritage design reframed for contemporary culture.
our work
our work
our work
ADS AND LOGBOOKS
our work
our work
our work
our work
our work
Challenges
Challenges
Challenges
Working closely with global fabric mills meant navigating unpredictable lead times and ensuring each jacquard or embroidery retained its authenticity through local LA production. The biggest challenge was harmonizing cultural depth with modern wearability: ensuring motifs and trims honored their origins while feeling progressive and genderless. Every prototype became a conversation between continents — where material, meaning, and modern identity had to align in one cohesive voice.
NEXT PROJECT
NEXT PROJECT
NEXT PROJECT